in/out
light installation
Dusseldorf, 1993
Notes from lecture:
There are a spectrum of qualities of light - and how different light conditions affect how we perceive. All of the shades of gray in Glasgow - light stops only when it catches something.
Light touching the body - an erotic element
The origins of ideas (seed of a work) are bridges of thought
Why do we cross-disciplines? New ways of working are at our fingertips - inscribing space.
Instillation, like performance, only happens once, but survives, post-life, in documentation.
The joy & contribution of the artist is creating works that live outside of themselves.
Intention of transportation by slowing down time, a space for reflection which is where original thought lives.
light installation
Dusseldorf, 1993
Notes from lecture:
There are a spectrum of qualities of light - and how different light conditions affect how we perceive. All of the shades of gray in Glasgow - light stops only when it catches something.
Light touching the body - an erotic element
The origins of ideas (seed of a work) are bridges of thought
Why do we cross-disciplines? New ways of working are at our fingertips - inscribing space.
Instillation, like performance, only happens once, but survives, post-life, in documentation.
The joy & contribution of the artist is creating works that live outside of themselves.
Intention of transportation by slowing down time, a space for reflection which is where original thought lives.
